I had started out as an Art/Painting major at another school.  During my freshman year I got a job in graphic design, and I knew that's what I wanted to do...
Melissa Mykal Batalin '06
EMAC gave me a breadth of study which became invaluable to me in my current job at DreamWorks Animation...
Eli Bocek-Rivele '06
The EMAC program taught me some of the necessary software to succeed in the field, along with many new ways of visualizing things and creating new ideas...
Christina Ciani '10
Certain courses taught me to look at everything from different perspectives, and that ... a situation may call for a non-traditional approach...
Kirk Duwel '03
I had the opportunity to work with feature animation right through graduation...
Adam Gaige '07
EMAC gave me an understanding of concepts and theories that I use every day in my career...
Josh Goldenberg '10
The diversity of classes I took while attending RPI as an EMAC student allowed me to discover my ideal career path...
Chris LaPointe '10
The EMAC program definitely prepared me for graduate school because it gave me an excellent foundation for a graphic design career...
Steve Lucin '08
It is unique that we receive a B.S. rather than a B.A. I think this opens a lot more opportunities...
Kimberly Gomboz '09
Being an EMAC major gave me the communication background needed for my job...
Emelie Hegarty '09

The Rensselaer Orchestra, under the direction of Nicholas DeMaison, will perform Missy Mazzoli’s River Rouge Transfiguration and Jean Sibelius’s Symphony No. 5 in E-flat major, Op. 82 at New York Carnegie Hall on Wednesday, October 24, 2018 at 8:00 PM.  

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Tamar Gordon

This is a representative list of faculty teaching EMAC core courses. For a comprehensive list, please see the specific departmental websites at www.arts.rpi.edu/ and www.cm.rpi.edu/ .

Tamar Gordon

Associate Professor

Photo of Tamar GordonPhoto of Tamar Gordon
  • Ph.D., Anthropology, University of California-Berkeley
  • M.A. Anthropology, Yale University
  • B.A. Anthropology, Yale University

Tamar Gordon focuses on the cultural analysis of contemporary religions and their intersections with local and global modernities; themed environments; Polynesian and American societies.

She is currently working on an edited collection titled “Themelands.”

Her recent work includes the “Whose Development? Cultural Management and Globalized Economy in China’s Ethnic Theme Parks” published in the Proceedings of the International Conference on Culture and Development; writing, directing and co-producing the documentary feature film “Global Villages” which was shown in locations around the world, including Bangkok, Rio de Janeiro, and Lisbon; and she edited and wrote the introduction to the volume Material Religion.

She presents her work frequently, most recently “Cultural Narratives and Development Narratives” at the Heritage in Development: International Seminar on Art and Livelihood.

Contact info:
Office number: SAGE4210
Phone number: 518.276.8121
Fax number: 518.276.4092
Email Address: gordot@rpi.edu