I had started out as an Art/Painting major at another school.  During my freshman year I got a job in graphic design, and I knew that's what I wanted to do...
Melissa Mykal Batalin '06
EMAC gave me a breadth of study which became invaluable to me in my current job at DreamWorks Animation...
Eli Bocek-Rivele '06
The EMAC program taught me some of the necessary software to succeed in the field, along with many new ways of visualizing things and creating new ideas...
Christina Ciani '10
Certain courses taught me to look at everything from different perspectives, and that ... a situation may call for a non-traditional approach...
Kirk Duwel '03
I had the opportunity to work with feature animation right through graduation...
Adam Gaige '07
EMAC gave me an understanding of concepts and theories that I use every day in my career...
Josh Goldenberg '10
The diversity of classes I took while attending RPI as an EMAC student allowed me to discover my ideal career path...
Chris LaPointe '10
The EMAC program definitely prepared me for graduate school because it gave me an excellent foundation for a graphic design career...
Steve Lucin '08
It is unique that we receive a B.S. rather than a B.A. I think this opens a lot more opportunities...
Kimberly Gomboz '09
Being an EMAC major gave me the communication background needed for my job...
Emelie Hegarty '09

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Ken Ragsdale

This is a representative list of faculty teaching EMAC core courses. For a comprehensive list, please see the specific departmental websites at www.arts.rpi.edu/ and www.cm.rpi.edu/ .

Ken Ragsdale

Lecturer

Photo of Ken RagsdalePhoto of Ken Ragsdale
  • M.F.A., State University of New York at Albany

Pacific Northwest native Kenneth Ragsdale is an Albany, NY based artist. His work, derived from personal memories; is process driven, focused on narrative, and involves a mixture of many artistic disciplines: drawing, painting, sculpture, paper-craft, theatre lighting, and photography.

His recent work deals specifically with his own childhood narrative and it's metaphorical relationship with that of the growth of America as a nation.

"I associate reality with transience, and to the building up of memories, rather than with the concreteness of my present existence.

What I think I remember is in a constant state of flux, the organization and arrangement of particulars controlled and altered by every new experience, to the point where even the mundane can be reformed into the epic.

All of my work is made with the intention to examine what remains of the actual, reveal the process of alteration, and explore the possibilities of the fantastic.

Every remembrance is a reinvention, and reality is not fixed, but in process."

Though normally concerned with finding new and innovative ways of manufacturing a 2-dimensional image, Kenneth has recently altered the scope of his work to encompass the aspects of installation, human scale interaction, and collaborative curatorial projects.

He is currently working in collaboration with associate professor Michael Oatman from the RPI School of Architecture on a multi-discipline project, which will pay homage to 'The Armory Show' of 1913 and to the history of its effect on the artistic life of the Capital Region.

He has exhibited in many galleries, museums and arts venues, including: Cypriana Majernika Gallery, Bratislava, Slovakia, The High Line, New York, NY, Siena College, Loudonville, NY, Albany International Airport, Albany, NY, Amrose Sable Gallery, Albany, NY, Johnson Memorial Art Gallery, Middlebury College, Middlebury, VT, Arts Center of the Capital Region, Troy, NY, Sicyon Gallery, Walla Walla, WA, Rochester Contemporary Arts Center, Rochester, NY, Froelick Gallery, Portland, OR, Rockingham Arts & Museum Project, Bellows Falls, VT, Portland Institute for Contemporary Art, Portland, OR, and Del Mano Gallery, Los Angeles, CA.

Courses: Advanced Drawing (Arts 4200) and Basic Drawing (Arts 1200)

Contact info:
Office number: WEST201
Phone number: 518.276.3870
Fax number: 518.276.4370
Email Address: ragsdk@rpi.edu