I had started out as an Art/Painting major at another school.  During my freshman year I got a job in graphic design, and I knew that's what I wanted to do...
Melissa Mykal Batalin '06
EMAC gave me a breadth of study which became invaluable to me in my current job at DreamWorks Animation...
Eli Bocek-Rivele '06
The EMAC program taught me some of the necessary software to succeed in the field, along with many new ways of visualizing things and creating new ideas...
Christina Ciani '10
Certain courses taught me to look at everything from different perspectives, and that ... a situation may call for a non-traditional approach...
Kirk Duwel '03
I had the opportunity to work with feature animation right through graduation...
Adam Gaige '07
EMAC gave me an understanding of concepts and theories that I use every day in my career...
Josh Goldenberg '10
The diversity of classes I took while attending RPI as an EMAC student allowed me to discover my ideal career path...
Chris LaPointe '10
The EMAC program definitely prepared me for graduate school because it gave me an excellent foundation for a graphic design career...
Steve Lucin '08
It is unique that we receive a B.S. rather than a B.A. I think this opens a lot more opportunities...
Kimberly Gomboz '09
Being an EMAC major gave me the communication background needed for my job...
Emelie Hegarty '09

Presitigous annual award for outstanding research paper is presented by American Sociological Association

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Nathan Meltz

This is a representative list of faculty teaching EMAC core courses. For a comprehensive list, please see the specific departmental websites at www.arts.rpi.edu/ and www.cm.rpi.edu/ .

Nathan Meltz

Lecturer

Photo of Nathan MeltzPhoto of Nathan Meltz

Lecturer, Arts Department

  • M.A., Art, University of Wisconsin, Madison
  • M.F.A., Art, State University of New York at Albany

Nathan Meltz uses collage, printmaking, animation and other graphic arts to comment on the infiltration of technology into every facet of life, from politics and food to family and war. In his visual vocabulary, the contemporary world of nanotechnology and genetic modification are retrofitted with images of analog mechanical parts. Nightmarish industrial creations are set against pictures of grand mechanical constructions to create an off-kilter vision of technology.

“I create narratives and relationships between mechanical humanoids and automated animals,” said Meltz. “Through these tales of love, violence, and circuit boards, I alert the viewer to the inevitable robot invasion, and prepare them to resist.”

Meltz's current research investigates the intersection of technology and fascism, exploring and interpreting seminal anti-fascist American art from the 1930-40s.

Meltz’s solo exhibitions include Southern Illinois University’s Vergette Gallery, GRIDSPACE (NYC), the University of Jacksonville, Florida’s Andrew Brest Gallery, and Noise Gallery in Ohio. His work has shown internationally, at venues including the International Print Center New York, the Miami Fountain Art Fair, the IN Graafika Festival, Pärnu, Estonia, the Trois-Rivières International Printmaking Biennial, Canada, the Museum of Modern Art in Rio De Janiero, Brazil, and others. His work has been featured in the publications Paper Politics, Sociological Images, Printeresting and the Mid America Print Council Journal. Meltz is the founder and curator of the East Coast Screenprint Biennial.

Contact info:
Office number: West Hall205
Phone number: 518.276.3871
Fax number: 518.276.4370
Email Address: meltzn@rpi.edu
Website: nathanmeltz.com